![]() In terms of workflow, there are a couple of options you have when dealing with Log recording. One of the biggest drawbacks in this particular situation, however, is that inevitably you have to apply a look-up table (LUT) to your footage or, at least, do some basic colour adjustments in order to be able to display the images accurately in Rec.709 colour space on your production monitor. Generally, enabling this mode lets you take advantage of the full dynamic range of your camera whether it’s a Red Dragon, Sony FS-7, Arri Alexa, Canon C300, Sony A7s or any other camera capable of shooting Log. ![]() Shooting in S-Log is one of the most common traits of achieving a cinematic look. ![]()
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